Many times, for one reason or another, we do not feel comfortable with our instrument. It's possible that it's just one of our bad days, but more likely it's due to a mismatch.
How can we identify it?
Below we will see some of the most common cases and their possible solutions:
· A fairly common mismatch is that, when activating the lowest notes of the sax, Sol# stays open, since this is activated with any of the four keys on the little finger of the left hand.
To solve this problem, what we will do is play the low D note at the same time that we press the key of Sol#. In this way we will perceive, or not, a vibration in the sound, which informs us that the Sol# opens, thus losing a considerable amount of air.
To remedy this, we will tighten the screw located on the Sol# key (photo 1) until we notice that these vibrations have disappeared, but always be careful not to overdo it, otherwise the remedy will be worse than the disease and we will find the following example of mismatch (photo 2).
When you press the Fa key, it does not close completely and can be seen with the naked eye, which again means a loss of air. It is probably due to the fact that we have tightened the Sol# screw too much or that it has simply been poorly adjusted.
· Another mismatch that we normally find is that, when activating the middle B flat with keys 4 or 5, the 'P' key remains open.
To solve this problem, what we will do is play the note B flat with keys 4 or 5 (keys of F and Fa#). In this way we will perceive, or not, whether the key ́P ́ finishes closing correctly (photo 3).
To remedy it, we will tighten the screw located right next to the Sol# key (photo 4) until we notice that said imbalance has disappeared, but always be careful not to overdo it, otherwise the remedy will be worse than the disease and we will find ourselves with the same mismatch that we saw previously (photo 2).
To solve this problem we loosen the screw on the Sol# in case we have been trying to adjust it previously. If the case persists, it is recommended that you bring it to the Quinta Justa – Wind Workshop, where we will find the problem quickly and provide an effective solution that will put your instrument fully operational.
There are a few more signs that indicate a poor adjustment of the instrument, but the most advisable thing is that you trust our technicians, who are always happy to face new challenges.
Ricardo Lillo, SAT Woodwind and Metal Wind
